Pulling together parallel threads from music, fashion, art, and new media, Simon Reynolds confronts a central paradox of our era: from iPods to YouTube, we’re. Buy Retromania: Pop Culture’s Addiction to its Own Past Main by Simon Reynolds (ISBN: ) from Amazon’s Book Store. Everyday low prices and. 1 Aug We talk with music critic and Retromania author Simon Reynolds in the first installment of our new recurring books feature.

Author: Magis Brami
Country: Cayman Islands
Language: English (Spanish)
Genre: Medical
Published (Last): 23 October 2006
Pages: 377
PDF File Size: 20.1 Mb
ePub File Size: 14.62 Mb
ISBN: 346-6-12020-421-7
Downloads: 29169
Price: Free* [*Free Regsitration Required]
Uploader: Fesida

Simon Reynolds, Retromania and the Atemporality of Contemporary ‘Pop’ by James Parker :: SSRN

I mean intelligent without descending into the florid, convoluted self-indulgence that makes some music writers borderline unintelligible. I left the book feeling more optimistic. I’d been wanting to read Retromania ever since it was published, yet I only reynolxs it reetromania after I felt I’d resolved some of its apparent questions to my own satisfaction – in the last couple of months.

View or edit your browsing retromania simon reynolds. In saying I wish I could quote half the book, that’s not as much of an exaggeration as it sounds: Reynolds even retromania simon reynolds beyond music and into fashion as well.

It’s interesting for about pages, and then it starts to feel retromania simon reynolds he’s just showing off; it’s a lot of detail without a lot of direction. Reynolds’s mapping of today’s pop retromania simon reynolds is often witty; his account of the way in which so many artists position themselves as curators is spot-on, as is his description of internet users — himself included — gorging on illegal downloads.

So therefore we’re hording music instead of enjoying and thinking about music. Finally, I found Reynolds to be a pleasant critic with whom to explore this topic – he isn’t grating in the way so many critics can be, which is no mean feat.

Retromania: Pop Culture’s Addiction to its Own Past by Simon Reynolds – review

L ike many people of a certain age, the first thing I did upon going to university was retromania simon reynolds blow my entire student grant on records. Does obsessive engagement with the past make it harder to invent the future? Or rather it does, but not because of its writing but it’s central thesis: History must have a dustbin, or History will be a dustbin.

Amazon Drive Cloud storage from Amazon. Forget innovation in music since ; has there been innovation in government since ? Retromania simon reynolds of course we talk endlessly on the internet of things we remember as children.

Retromania: Pop Culture’s Addiction to Its Own Past by Simon Reynolds: review

Igor Stravinsky work in the s. A self-confessed ‘modernist’ he still believes cultural theory can be cool, and he proves it again here. But he’s also narrating the rfynolds effect, philosophically as much as technologically, of the remix culture of the late s, when cheap samplers allowed artists to treat the whole history of recorded music as a free zone for resource extraction.


Punk to me is a retromania simon reynolds simo to music history I give the bands credit for humor and not taking themselves seriouslybut the point is that Reynolds grew up with this music and refers back to it constantly, seemingly out of all proportion to its interest. One of whom has a theory I like: Rynolds is right that retromania simon reynolds living through a period of mashing styles from different recent decades together, but this is in itself a retromania simon reynolds, and one which will become passe at some point, as is the fate of all things.

Most UK music journalists I grew up retromania simon reynolds in the 90s and the indie stars eetromania interviewed are Reynolds’ age or 5 years either side – the outlook of people born in the s or late s shaped my own, so it’s been really interesting to dissect it and understand where my assumptions came from, through them.

He’s wary that music may have reached reynoldz wall, The Internet, a sort simonn singularity, at which point the current and possible future evolution of music now extends sideways and backwards at the same time. This is picking nits, though, and Reynolds in general valiantly handles a subject that is almost retromania simon reynolds rife with contradiction.

Retromania is a book about the poverty of abundance. Also, retromania simon reynolds are formating issues — the author relies heavily on sidebars, which end up mixed into the main text in a broken way on the Kindle.

Retromania: Pop Culture’s Addiction to Its Own Past by Simon Reynolds

Thankfully, he soon tires of italics, and abstains from pointing out that re is also the prefix of recording; although he does examine the notion that the very technology rfynolds facilitated the 20th-century pop explosion is anti-progressive, freezing moments in retromania simon reynolds for potentially endless fetishisation: Perhaps the process of circulating and accessing music has become more exciting than the practice of listening to it.

When you click on a Retromania simon reynolds Product ad, you will be taken to an Amazon detail page where you can learn more about the product and purchase it.

But its premise seemed interesting enough that Retromania simon reynolds pick it up for my Kindle which is decorated with Apple stickers defaced with slogans I believe in, Banksy and Beatles Yellow Submarine stickers because desecrating the slick digital items of today is punk rock maaannn Reynolds describes a pattern that strikes such a familiar and slightly uncomfortable chord that it almost turned a book on pop culture into therapy.

In the end, retromania simon reynolds was a little unclear to me what constituted real musical “innovation” to Reynolds. Though my knowledge is far more limited than his, I didn’t find Reynolds’ tone to be snobbish or exclusive. Return to Book Page. Refresh and try again. One of my favorite books, Luc Sante’s essay collection Kill All Your Darlingsbegins with retromania simon reynolds of the old, weird, dirty, New York he inhabited during this time.


Likewise, in our relation to art, our role as consumers supersedes our role as retromania simon reynolds. Hauntology, Reynolds favorite “new” genre to fill the void, is a perfect example. I thought, what day was that? Even if I didn’t agree with the author all the time, this book was fun to engage with.

There’s a problem loading this menu right now. If that puts me squarely down as a post-modernist, as someone who can’t even really argue with Reynolds because we speak in different vocabularies, then so be it. I guess that my generation was always looking at music as the soundtrack of our lives a feeling i find now again in Reynolds book.

He does in a well written manner and comes to the conclusion that the noughties were a decade where nothing new happened, musically. Previously Reynolds’ books have se It was odd reading a book by Simon Reynolds that wasn’t positive and excited, retromania simon reynolds with Rip It Up and Energy Flash, but there was still a lot of brain food and enjoyment to be gleaned.

See all 17 reviews. Farrar, Straus and Giroux; 1 edition July 19, Language: I thought Rip it up and Start Again was superb and this book confirms Reynolds as my favourite music writer since Lester Bangs.

Nevertheless, it would be easy to forget – and seems largely absent in Retromania – that music has been a retromania simon reynolds of culture from the very start. We look to childhood, in some cases, or are nostalgic for an era before our retromania simon reynolds, in others, because that’s the last time clearly defined roles existed.

I think “Retromania” is the best music book of the 21st Century so far. Sep 13, Tosh rated it it was amazing. Although a little annoying, as you take in the painfully long list it starts to get well beyond ridiculous and makes for genuinely cringe worthy reading retromania simon reynolds you see how out of control the retromania has gotten.

And is this a good thing?

The immediately noticeable thing about all these artists is that they use exclusively British voices: